Detalji predmeta

• Stanje Polovno

Odlično očuvano
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CONTENTS
7 | Nenad Makuljević
Introduction
9 | Saša Brajović
Epidemics in Early Modern European Culture:
The Case of the Bay of Kotor during the Venetian
and Austrian Government
31 | Milena Ulčar
The 1667 Earthquake in the Bay of Kotor:
A History of Resilience
49 | Nenad Makuljević
Destruction, Transformation, and Fragmentation of Serbian
and Balkan Visual Culture at the End of the 17th and
the First Half of the 18th Century
65 | Ana Kostić
Saints and Crises: The Cult of St Stephen the First-Crowned
in Kočina Krajina (1788–1791) and the Wartime of Serbian
Revolution (1804–1815)
87 | Predrag N. Dragojević
Folk Worldview, Theories, Art:
The Concept of Vila as the Cause of Suffering
103 | Irena Ćirović
Orientalism, Nationalism, and the Balkans:
The Image of the Montenegrin Woman
123 | Katarina Jović
The Conquered Land: Representations of Bosnia and
Herzegovina in Kriegs-Bilder-Skizzen aus dem
Bosnisch-Herzegowinischen Occupations-Feldzugе 1878.
139 | Vuk Dautović
Artification of Memory: “Trench Art” and Remembering
Serbian Soldiers from the Great War

INTRODUCTION
Understanding complex relations between different political, social,
cultural, and religious events, and the development and functions of visual
culture, is at the forefront of the modern and contextual history of art.
The present global crisis caused by the coronavirus pandemic brought up
the question of how visual culture changes in a crisis, and what role does
it play. This edited collection, written by authors pertinent to the circle of
historians of the art of the early modern period from the Faculty of Philosophy in Belgrade, is an attempt at answering that question.
The collection CULTURE OF REMEMBRANCE, VISUALITY, AND
CRISIS IN THE BALKANS (17TH-20TH CENTURY) is devoted to understanding the relationship between crises and visual culture in the early
modern and modern periods in the Balkans. Natural disasters, communicable diseases, and wartime crises have marked the social and cultural history of the Balkans. Crises in the Balkans encumbered this geographical
region, and not only in the past. This is precisely why this region is most
relevant for studies of the relationship between crises and visual culture.
The authors of this collection of papers shed light on numerous examples of the relationship between crises and visual culture from the Balkan region, along with those from the Bay of Kotor and southern Hungary, between the late 17th century and WWI. Research has shown that
visual culture was influenced by infectious diseases such as the plague and
cholera, natural disasters such as earthquakes, and numerous wars. At the
same time, visual culture suffered the direct consequences of the crises in
question, but also helped overcome them, commemorate them, and even
manipulate them.
The collection resulted from a scientific project by the Faculty of Philosophy. We owe a debt of gratitude to our reviewers, Milan Ristović, Ljiljana Stošić, and Radomir Popović.